Grief Ramp, 2025
aluminium steel sheets, scaffolding, Borax crystals grown on cotton
and glass μάτι, plaster cast from live equine hooves, speakers,
concrete.
2120.0 x 650.0 x 990.0 cm
Artist: Tina Stefanou
Original sculpture design and crystal dressing: Romanie Harper
Project manager and sculpture fabricator: Ellen Sayers
Fabrication: Richard Brownlee
3D design and installer: Glen Clancey
Scaffolding: Aaron Ellis (Super Safe Hire)
Consulting producer: Anna Nalpantidis
Commissioned by Australian Centre for Contemporary Art, Melbourne
with support from Creative Australia, Arts House and Yamaha
Grief Ramp 2025 is a monumental sculpture in the shape of a stunt
ramp, soaring across the gallery from floor to ceiling. Inspired by
the artist’s collaborator Matthew Cassar’s journey of riding dirt bikes
while blind, including his ambition to achieve the world’s highest jump.
The work literally and metaphorically (scaff)holds notions of trust,
protection, and transformation, as well as the dizzying heights of
neoliberal aspiration or the feeling of free falling.
What happens after the jump?
What will catch us?
Stefanou turns the sculpture into a living instrument as speakers
are placed within the scaffold, vibrating and pulsing to the
soundtrack of the accompanying film, You Can’t See Speed
2025. Rumbling along the ramp are the heavy industrial sounds
of dirt bikes and low frequencies merged with melismatic singing,
trumpets, and voice. A sensorium of abiotic, musical, and bodily
compositions.
A waterfall of hand-grown crystals cascade from the ramp’s peak,
crying collective tears of loss or yearning. Stefanou writes, ‘It is in
grief, in salty residues, that crystallisation begins’. Embedded with
ornamented evil eyes, Grief Ramp also acts as a totemic ribbon,
protecting against and warding off threats both imagined and
real. As Cassar becomes the evil eye totem in the film, Stefanou
transfers that protection from the screen to the space, fortifying all
of us within an embrace of metal, crystal, and sound.